The added analog “drive” circuitry of the KORG Odyssey adds a tasteful amount of saturation which I heavily exploited to make the sounds of this sample library extra juicy.

In 2015, equally legendary instrument manufacturer KORG took it upon themselves to release a faithful replica of the classic duophonic Odyssey that encompasses the character of all three Odyssey revisions ARP produced. This is achieved by allowing the player to switch between the three different filter circuits used in the MKI, MKII, and MKIII respectively. The year 2022 marks the Odyssey’s 50th anniversary, an event I knew I had to celebrate with you! To celebrate this legend’s birthday, I created a library of tastefully gnarly basses, searing leads, versatile synths, and a whole load of plucks for you to bring into your productions. Its dual oscillators with sync functionality, FM, ring modulation, white/pink noise generator and dual EGs allow it to produce a great variety of sounds that are as universally useful as they are distinctly ARP. The Odyssey is, in essence, a minimalist take on the ARP 2600 – simplified into a straightforward and immensely capable performance synth that is as sonically powerful as it is accessible. Stevie Wonder, Jean Michel Jarre, Kraftwerk, Devo, Abba… The list of famous Odyssey users reads like a top ten list of the most influential artists in the history of recorded music. Released in 1972 as a direct answer to the famous MiniMoog, the Odyssey became one of ARP’s most beloved synths and has been used on too many hit records to count. The ARP Odyssey is nothing short of a legendary synthesizer. You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media. For example pitching down the didgeridoo and plastic tube hollow item sounds by two octaves I found really cool and useful low drone sweeps. The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools. Swish & Whoosh was recorded with Sound Devices 702 and a XY stereo pair of Sennheiser MKH8040 microphones in acoustically treated studio environment. The library also comes with bonus content: 22 minutes of metal slinky sounds, including slinky laser sound effects. The main reason I recorded this library was to create a library that covers not only the normal and fast swish whoosh sounds but also the more subtle, minimal soft sounds that are usually missing from other commercial sound effect libraries. The library consists of 62 individual objects ranging from a small metal sieve to a medium sized didgeridoo and covers fast, slow, fast multiple and slow multiple articulations. Swish & Whoosh is an extensive high quality collection of organic light and hard swishes and whooshes.

Aircraft – Jet/Propeller Plane Sound Effects.

Video sound effects name